Category Archives: Fiction

Angela Davis & Jean Genet

The Protest Artist is like the ice upon a body of water; it’s the frozen lake – enabling the Activists (realizers of the vision) to carry themselves OVER the water to the other side, 

the artist is the bridge

the crossing is the activist, the arrival is the fight (revolution).  You can’t have one without the other.
The artist receives the prophecy, the activist must decide what to do with the prophecy.
The artist is the seer
the activist is the doer
(Somewhere in between…is the Actor)
—-preface to the poem “Coda for My Shadow”
image1
Angela Davis and Jean Genet in conversation, New York City 1969 at a​n Arts Festival. ​(Photo by Robert Cohen, circa 1969​ – ​ from page 69 of Art of Protest by TV Reed)
​The spring of 1969: as the Paris rebellions failed, a​ conference about the Black Panthers Theater took place in Oakland​,​ which ended in an argument about the direction the theater should take – ​ which by this point was in demise due to FBI infiltration...Angela Davis and Jean Genet confer before embarking on two separate routes to the same ultimate destination.
*

ANGELA DAVIS: If only I could only revolt as well as you create plays

JEAN GENET: No, if only I could write as elegantly as you revolt…if my words were as dangerous as your eyes I would not have the urge any longer to dream of a future. Instead I’d be living it.
AD: Yes but I was endgaming to the end of our imagination; I picked up a gun while you could still pick up a pen.
JG: The pen is not mightier than the sword.   It’s just more scary.
AD: If our words and actions were one we wouldn’t have to have this discussion. We could overturn society’s injustice with the swivel of a gun and the precision of a play and so…the world would not be a stage it would be our sun. And the sun is merely a star.
JG: But unfortunately for a star to exist one must be surrounded by darkness.
AD: “Let’s make new light out of love and erase all the darkness that comes with it.”  (I read that somewhere last year.  I think it was Bullins or Jackmon who wrote it; Huey had it painted on the back wall of one of Fred’s theater spaces in Chicago.)
JG: Is that act one or two?
AD: It’s the whole play
Or when the play
JG: ceases to to be a play.

Teeming Towards Triple Threats: Revolution in Radio Drama for a Podcast Age Vol. I 

Stay tuned for further information regarding transmission and production of the recorded podcast series: “Rebel Radio: Audio Works for a New Age” – coming this fall in conjugal with Speller Street Films LLC. 


 

 

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When all is said and done

when the last betrayal has taken flight —unnamed you stand alone with a catalog of memories and actions. And like the Actor, it is our actions ultimately that define who we are, how we choose to fight or retreat. We all feel like the Nowhere Man sometimes…but maybe it is not failure or malaise that consumes, but risks that genuinely tried. Not “nowhere plans” but actual attempts – stabs at the wall, great failures perhaps – but proof one has lived and had thoughts and some passion for SOMETHING. And, if anything, at least my words can do what I can’t: resist trembling in the face of Capitalism and the force of obedience.  The “bastard literature” which may have given birth to my own madness is one that I claim with glee.  Radical art, protest art, works and ideas that rejuvenates every sense of urgency from the eyebrow to the bowels.  There is no more time for games. This ends it all.  Walk into the valley, the great wash of the sun. turn your back on mediocrity. make art that can’t – but tries – to alter the world.  And when they say you’re hateful, you’re diseased, you’re un-romantic – just let your sigh do the talking.  

The film “As an Act of Protest” returns to NYC on August 9th, 7PM, at the People’s Forum. A special free screening, open to all: https://peoplesforum.org/event/as-an-act-of-protest/

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Sometimes even an outlier becomes heard…

You cannot have a revolution without having an art to go alongside it.  Sometimes that art is living itself, sometimes it’s the expression of the angst through blood. Sometimes the tears mean more in the glimpse of 24 frames per second. Sometimes, often in actual life, there is no time for tears — and certainly no poetry that comes along with it.  There is nothing romantic about headaches nor oppression.  Yet we choose to ignore and malign our beautiful crazy visions and inner horror for the sanctity of a television news report or streamed web video of the apocalypse we’ve been led to believe in and worship.  We opt for the button-downed pathology of Wynford Marsalis as we step on Sun Ra.  We resist the spaceship for the bank teller.  While the world is as it is because we will it to be…it is also our responsibility to admit that we foolishly resist both the revolutionary visions of artists and the forlorn mad-men who have been misled and let down. “Revolutions are not fought in, of, or by poems,” as Umar from the Last Poets conceded in As an Act of Protest.  But it certainly helps to have those poems going up into the sky like fireworks…and hoping that their residue settles onto a willing recipient before the final ax falls or before the final step of the American gestalt is taken.  You can’t clap with one hand.  But you can still wield a sword.  Or a pen.

 

Design for the 2014 Chicago screening (Ben Starr)

[original design by Benn Starr, (c) 2014, originally created for the 2014 Chicago premiere]

 

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The Rebirth of Resistance…

Timely and more relevant now in its 15th year anniversary (and decade in gross obscurity) Speller St. Films is bringing As an Act of Protest into the zeitgeist of the 21st century to prove that the film was a terrifying prophecy and a grim acknowledgment of where race relations, culture, and police brutality is headed if we continue to deny the realities of both the past and the present.

AAAOP1.jpg

With the acquittal of the Minnesota police officer that unjustly killed Philando Castile, movies bearing a genuine social consciousness revealing our political climate are needed now more than ever. Not bright-light-Hollywood Drone– productions. But hand-made cinematic ‘Molotov cocktails.’ A Protest Cinema.

On July 15th Raleigh Film Underground will host Speller St Films’ revival screening of As an Act of Protest, pledging all proceeds towards the restoration of the movie so the film can see an eventual DVD release. Gritty, powerful and provocative movies can remind us of the power of drama and the impact artistic foresight has.

This is the film the Black Lives Matter movement should be learning from. Not a superhero movie, but a film about the real desperation of trying to address the problem that something is “rotten in the state of Denmark.” If the new generations of activists want to advance theories, techniques, dialectics, and problem solving within the web of social diseases and political oppression ‎in America, they can start by dusting off the artworks that were created for them to be inspired by and to challenge. 

All revolutions need art. And this is just one example.

Spread the word.

***

July 15th, 2017 – 7 PM, Tickets are $10 (cash) at the door

Raleigh Film Underground at Kings – 14 Martin Street, Raleigh, North Carolina

Visit actofprotest.eventbrite for advance tickets

Contact spellerstreetfilms@gmail.com for more information.

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“Buddha said: ‘There are only two mistakes one can make along the road to truth; not going all the way, and not starting.’ The same could be said for Art. Cause it really doesn’t matter where you end up (although that is how you may be judged)…what matters is the journey. The process. Not if you win the battle, but how hard you fought. And what you learned from the fight. Some of us learn compassion, some of learn we weren’t as tough as we thought, some of us learn that all great thoughts and expression do not necessarily find an audience. But then we discover, we’ve been bamboozled! The aim is not for your work to find an audience…but for your audience to find you. No. It is not practical to think that way. But then again, if you were practical – would you be making art? Those who do are completely crazy and they are the last line of romantics on this earth. Cherish them. Because the music will dry up. And so will the thoughts. And then…what will you do on your way into the coffin? You will have no memories to call upon. Because contrary to what many believe – one does not see their life flash before their eyes in the instant of death. They see the poem that haunted them their entire life: a few lines of scribble that they could never understand until that final patch of dirt covered their shroud.”

                                                  – St. Claire Mulligan, Tremors

Because The Music Will End

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Fragments Vol. 1

My latest series of poems “FRAGMENTS” (Vol.1)  was recently published in Rosalie Gancie & Carlo Parcelli’s avant-garde art & political journal, FLASHPOINT MAGAZINE, issue #17.

DL Kangalee directing Numa Perrier in an early rehearsal [photo by Nina Fleck,2014]

DL Kangalee directing Numa Perrier in an early rehearsal [photo by Nina Fleck,2014]

                 “There’s only one problem with man: the fact that he keeps going on.
                …I’ve been a frozen man a long time, at least since my last suicide attempt.”

                                                            — from “The Frozen Man”

 (as featured in the digital chapbook, Fragments Vol. 1 – available in Flashpoint Magazine #17 – online now)

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“I simply feel that the kids in their 20’s today try to model their lives on the surfaces of people and ideas that simply appeal to their basic desires and fashionable politics. They are flags in the wind. They have no real convictions or substance, and they are easily manipulated – but so is everyone else. Regardless of age. But if the youth are so innovative today — what have they given us besides social media and a ‘hip’ corporate culture that breeds apathy? It’s Orwellian. I mean, we’re all Boxers at the end of the day, really – or the best of us are. Some of us are Clovers. And a few of us are Benjamins. That’s me. I know for a fact that life will never improve or change. And I accept that. But I don’t have to accept my misery on the inevitable journey to the grave.”                                                                                                                                                                                                  — St. Claire Mulligan, Tremors

..On the Inevitable Journey to the Grave

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A Cinematic Protest Returns to the Screen!

Thursday, November 6, 2014 @ 7:00pm!

” The Best Black Film of The Year!”  – Kam Williams, 2002, The NJ Herald

After more than a decade, the 2002 cult classic AS AN ACT OF PROTEST will finally get its Chicago ‘premiere’ at the Studio Movie Grill Chatham Theater, 201 West 87th Street, courtesy of Floyd Webb and Black World Cinema.

A cinematic “line in the sand against racism,” it is provocative, disturbing, and emotionally arresting at times – this is a movie unlike any other made in the early part of the 21st century as it signified a new type of “protest art” within the dramatic arts, linking the political consciousness of 1960’s-1970’s radical theater with the cinematic urgency and simplicity of the “Dogme 95″ Digital Video revolution in world cinema.

Hopefully we can get some folks in the windy city to brave the weather and get a chance to see Dennis Leroy Kangalee’s seldom seen “missile from his youth”!

'As an Act of Protest' design by Benn Starr (2014)

‘As an Act of Protest’ design by Benn Starr (2014)

Thursday, November 6, 2014 at 7pm, Adm. $6.00

Black World Cinema @

Studio Movie Grill Chatham Theater
210 W 87th Street

Additional information:

Click here for video excerpts or more information on the film itself.

Contact: Black World Cinema, 9 W Washington St, Chicago, IL 60602

Curated by: Floyd Webb, floydwebb@gmail.com

Visit http://aaaopfilm.wordpress.com/screenings/ for more information. 

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Dennis Leroy Kangalee’s Cult Classic Heads to Chicago in November…

On Thursday, Nov 6, 2014 @ 7pm:

Dennis Leroy Kangalee’s cult classic

“As an Act of Protest” finally screens in Chicago!

Dennis Leroy Kangalee's cult classic "As an Act of Protest" (2002)

Dennis Leroy Kangalee’s cult classic “As an Act of Protest” (2002)

After more than a decade, my first feature film “As an Act of Protest” will finally get its Chicago ‘premiere’ in November, courtesy of Floyd Webb and Black World Cinema. And special thanks to the German and French audiences who were cheeky enough to make PAL bootlegs (the only remaining format available!) enabling an editor here in NYC to slowly re-assemble the footage after a transferring all the video back to NTSC.  Laborious and crazy as it was, it was well worth it since now a new generation has re-discovered one of my most personal and favorite artworks.

It means a great deal to me because this little film never received proper care or attention in the USA in the aftermath of 9/11 and the strange reactionary years that followed.  At one point, no art house or independent theater  in NYC would screen it without being threatened or harassed by local police precincts. The movie actually played to more southern audiences and college universities than north-eastern ones!  Now, with the unfortunate spike in police brutality incidences and racist murders — certain corners of our country are beginning to re-discover and assess “As an Act of Protest,” a drama I made when I was 24 years old, mad as hell, and crazy enough to express my confusion, outrage, and suspicion towards a hostile and racist establishment that governs us – not in a song but in a movie! To this day, it is still one of the best scripts I’ve ever written.  And in 2014, I still believe it stands up as a strong example of protest art in cinema. 

Hopefully we can get some folks in the windy city to brave the weather and get a chance to see this “missile from my youth” and hopefully it will inspire just one another artist to commit himself to speaking truth to power, protesting injustice, seeking ways of resistance, and expressing his or her feelings wholly.  In short, maybe in the gross horror eroding our false sense of stability (“sanity”) and enabling our new depravity — other young artists will decide to shoot a movie – instead of a gun – as a means of protest.  

ActNov

Thurs, Nov 6, 7pm, Adm. $6.00
Black World Cinema @
Studio Movie Grill Chatham Theater
210 W 87th Street

http://blackworldcinema.net/blog/2014/09/23/thurs-nov-6-7pm-as-an-act-of-protest-dennis-leroy-kangalees-cult-classic/

Click here for more information on As an Act of Protest or to view clips! 

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So Much Beauty to Offer, But too Ugly To Move

Just remember to write, tuck the face, face the soul

Until the foul
Erodes

Like the million splintered tiny silver angels that floated on that morning when everything changed.

Receive the vision so you may heal the tribe
Write the stories only if you feel the vibe
But don’t outsource your soul

Not everyone
Can have
An Elephant Man

so stay down in the trench and come up just once when night appears
or the day the sun has decided to make you his ally.

 

"A Kangalee Mourning" [photo by Nina Fleck, 2009]

“A Kangalee Mourning” [photo by Nina Fleck, 2009]

*this poem was originally published in the Outlaw Poetry Network

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